- Hayes, L and Rajko, J. (2017) Towards and Aesthetics of Touch. Proceedings of the 4th International Conference on Movement Computing. London.
- Isaac, G, Hayes, L and Ingalls, T. (2017) Cross-Modal Terrains: Navigating Sonic Space through Haptic Feedback. In Proceedings of the International Conference on New Interfaces for Musical Expression. Copenhagen.
- Hayes, L. (2017). Some Thoughts on Friction and Physicality Within Past and for Future NIME Research. In Jensenius, A. R. & Lyons, M. (Eds.) A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. New York: Springer.
- Hayes, L. (2015). Skin Music (2012): an Audio-Haptic Composition for Ears and Body. In Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition (pp. 359-360). ACM.
- Hayes, L. (2014). Audio-Haptic Relationships as Compositional and Performance Strategies. [PhD Thesis]. University of Edinburgh.
- Mechtley, B., Roberts, C., Stein, J., Nandin, B., Sha, X. W. (2018), “Enactive Steering of an Experiential Model of the Atmosphere” in Proceedings of the International Conference on Virtual and Mixed Reality (VAMR), Las Vegas, NV, 2018, Springer, Cham.
- Nautilus special issue on time: http://nautil.us/issue/9/time (not particularly deep, but good summary on the physics / analytic phil of time)
- Sha, X.W. (2016) Theater Without Organs: Co-Articulating Gesture and Substrate in Responsive Environments. Waterloo: Living Architectures Group.
- Sha , X.W. (2013) Poiesis and Enchantment in Topological Matter. MIT.
- Sha Xin Wei, Adrian Freed, Navid Navab (2013) “Sound Design As Human Matter Interaction,” CHI, April – May 2013, Paris
- Sha Xin Wei, Michael Fortin, Tim Sutton, Navid Navab (2010) “Ozone: Continuous State-based Media Choreography
System for Live Performance,” ACM Multimedia, October, Firenze. - Sha X.W., Michael Fortin, Jean-Sebastien Rousseau (2009) “Calligraphic Video: A Phenomenological Approach to Dense Visual Interaction,” ACM Multimedia, October, Beijing.
- Sha Xin Wei (2005) “The TGarden Performance Research Project.” Special Issue: Technology, Modern Drama 48.3, Fall, 2005, p. 585-608.
- Gilbert Simondon, Du mode d'existence des objets techniques, Méot, 1958.
- Solomonova, E. and Sha, X.W. (2016) Exploring the Depth of Dream Experience: The Enactive Framework and Methods for Neurophenomenological Research. Constructivist Foundations 11.2: 407-416.
- Synthesis: Einsteins Dreams: An Ecological Approach to Media Choreography, Einstein Dreams : Design approaches, zones
- Synthesis: Improvisational Environments Workshop 2014